Name: Inland 19.4: The Eye Is The First Circle
Start: 2019-03-11T20:00:00+11:00
End: 2019-03-11T22:00:00+11:00
Location: Church of All Nations

Inland 19.4: The Eye Is The First Circle

INLAND is a concert series of Australian exploratory music, spanning notated, improvised, electroacoustic, popular and interdisciplinary practices - aiming to locate manifestations of the experimental and antagonistic impulse without regard to guild nor discipline, and inviting creators spanning diverse sound-based practices to a shared performance context. Whilst also serving as a context for work by international artists, INLAND’s curatorial principles maintain a narrow temporal and (almost parochial) geographical focus on the work of living Australian artists.INLAND aims to create a unique space in the wider context of the new music landscape - one where concerts and performers are not framed in terms of particular technical approaches (notated as distinct from improvised, acoustic as distinct from electronic) or considered primarily through the lens of genre, thereby standing in constructive and complementary relation to its musical, artistic, and ideological neighbors.To date INLAND has hosted over 50 performances across Australia, and featured the work of over 150 Australian and international artists, including: Chris Abrahams, Oren Ambarchi, Natasha Anderson, Jessica Aszodi, Chiri, Peter Evans, Will Guthrie, Michael Kieran Harvey, Jessika Kenney,Okkyung Lee, Evelyn Ida Morris, and Anthony Pateras.Documentation of all previous events is available at: www.inlandconcertseries.net

Inland Concert Series

INLAND 19.4 THE EYE IS THE FIRST CIRCLE 8pm Monday 11th March 2019 Church of All Nations, 180 Palmerson St. Carlton
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Donna Coleman Charles Ives Joy Lee James Rushford Rohan Drape
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A survey of contemporary keyboard performance, in three parts.
Preceded by new shorter works for harpsichord (composed by Rohan Drape, and performed by Joy Lee) and chamber organ (composed and performed by James Rushford) the centrepiece of this concert will be a performance of Charles Ives' Piano Sonata No. 2 "Concord, Mass., 1840-1860" (1860) by Fulbright-scholar and University of Melbourne Honorary Fellow Dr Donna Coleman.
Having studied this work from multitudinous vantage points since the 1960's, Coleman's research on and performances of this massive and 'unplayable' work are world-renowned, and her recording on Etcetera Records won France's Diapason d'Or upon its release. As part of this programme, she performs this work in its entirety, drawing upon the networks of poetic readings and musicological context that have informed her research for nearly 50 years.
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Flier photo: Donna Coleman
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The Inland Concert Series respectfully acknowledges the Wurundjeri people as the traditional custodians of the land on which this event takes place, for which sovereignty was never ceded, and wishes to pay respects to elders of the Kulin nation past, present, and emerging, and to all indigenous persons.
This project is supported by the Victorian Government through Creative Victoria.

Inland 19.4: The Eye Is The First Circle

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Inland 19.4: The Eye Is The First Circle

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