Inland 19.3: The Eternal Shepherd

INLAND is a concert series of Australian exploratory music, spanning notated, improvised, electroacoustic, popular and interdisciplinary practices - aiming to locate manifestations of the experimental and antagonistic impulse without regard to guild nor discipline, and inviting creators spanning diverse sound-based practices to a shared performance context. Whilst also serving as a context for work by international artists, INLAND’s curatorial principles maintain a narrow temporal and (almost parochial) geographical focus on the work of living Australian artists.INLAND aims to create a unique space in the wider context of the new music landscape - one where concerts and performers are not framed in terms of particular technical approaches (notated as distinct from improvised, acoustic as distinct from electronic) or considered primarily through the lens of genre, thereby standing in constructive and complementary relation to its musical, artistic, and ideological neighbors.To date INLAND has hosted over 50 performances across Australia, and featured the work of over 150 Australian and international artists, including: Chris Abrahams, Oren Ambarchi, Natasha Anderson, Jessica Aszodi, Chiri, Peter Evans, Will Guthrie, Michael Kieran Harvey, Jessika Kenney,Okkyung Lee, Evelyn Ida Morris, and Anthony Pateras.Documentation of all previous events is available at: www.inlandconcertseries.net

Inland Concert Series

INLAND 19.3 THE ETERNAL SHEPHERD 8pm Monday 25th February 2019 Church of All Nations, 180 Palmerson St. Carlton
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Samuel Dunscombe Anthony Pateras Horațiu Rădulescu
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Two sprawling sets of spatialised electroacoustic music.
Samuel Dunscombe presents an array of electroacoustic works by Romanian spectralist composer Horațiu Rădulescu that is has realised, reconstructed, diffused, or arranged for performance over the course of his ongoing research and collaboration with the Rădulescu estate. 
Anthony Pateras' THIS AIN’T MY FIRST RODEO is a project that explores the psycho-acoustic interactions between two synthesizers in quadraphonic settings. Ornamenting the synthesizer fabric are materials generated and mutated by 1/4 inch tape delay. These elements fuse to heighten the production of sound phenomena and third-ear emissions. Pateras thus creates sound textures with infinite folds allowing an immersive listening, applying his knowledge in the field of electroacoustic and spectral music, his research on physical and acoustic phenomena and the exploration of sound and its mutation. Prototypes of RODEO have been presented at Sacred Realism in Berlin, Free Music Impulse Festival in Udine and in an 8 hour sleep concert version at RAUM in Bologna.
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Flier photo: Hanna Chetwin
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The Inland Concert Series respectfully acknowledges the Wurundjeri people as the traditional custodians of the land on which this event takes place, for which sovereignty was never ceded, and wishes to pay respects to elders of the Kulin nation past, present, and emerging, and to all indigenous persons.
This project is supported by the Victorian Government through Creative Victoria.
Anthony Pateras' THIS AIN'T MY FIRST RODEO was commissioned by APRA/AMCOS through the Art Music Fund.

Church of All Nations

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Inland 19.3: The Eternal Shepherd

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