Sold Out

TRANSMISSION SYMPOSIUM

Event Information

Share this event

Date and Time

Location

Location

THe Lock-Up

90 Hunter Street

Newcastle, NSW 2300

Australia

View Map

Friends Who Are Going
Event description

Description

In conjunction with the exhibition Transmission and in partnership with the Wollotuka Institute, University of Newcastle and Newcastle Writers Festival, the Transmission Symposium will explore the ways contemporary Aboriginal and Torres Strait Islander artists are responding to the resurgence in traditional practices and their place within the contemporary cultural context.

Transmission of traditional knowledge and practices, the influence of traditional culture on contemporary artists, the rising interest in contemporary Indigenous art making in the wider community and the move to repatriate objects to their traditional owners, sit against questions of what is culturally appropriate, cultural appropriation and who has authority.

Featuring Aboriginal artists, writers, arts professionals, cultural knowledge holders and academics, the symposium will aim to bring awareness to and stimulate discussion around the complexity of issues that surround contemporary Indigenous art making and production.

SYMPOSIUM PROGRAM

12.30pm - Registration & Tea/Coffee

1.00pm -Welcome to Country - Awabakal Elder Aunty Sandra Griffin

1.05pm - Smoking Ceremony - Wirrigan Elder Uncle Bill Smith

1.25pm - Official Welcome

Leah Armstrong - Director Wollotuka Institute, University of Newcastle

Jessi England – Director, The Lock-Up

1.30pm - Panel 1 - What is contemporary Aboriginal and Torres Strait Islander art?

Contemporary Aboriginal and Torres Strait Islander art practice is diverse, vibrant, potent and increasingly being acknowledged nationally through major exhibitions, surveys and inclusion in programming by cultural institutions. Artists are drawing on the past and present; on personal, historical, social and cultural experiences and understandings. A panel of artists and curators explore the diversity of approaches taken by those identifying as Aboriginal and Torres Strait Islander artists and unpack public presumptions and perceptions around the question “What is Aboriginal and Torres Strait Islander art?”

FACILITATOR: Susan Moylan-Coombs – Film maker & Director of The Gaimaragal Group

PANELISTS: Toby Cedar – Artist & dancer; Ruby Djikarra Alderton – Artist; Emma Hicks – Artist & film maker; Nicole Monks – Artist & designer

2.30pm - Tea/Coffee Break

2.45pm - Panel 2 - What is culturally appropriate and who has authority?

As contemporary Aboriginal and Torres Strait Islander artists embrace the resurgence in traditional practices and knowledge through their art-making, a complexity of issues arise around what is culturally appropriate and who has authority. Questions around cultural intellectual property and cultural knowledge custodianship sit against how and what contemporary artists communicate through their work, and how institutions approach both the presentation and repatriation of cultural objects. What are the differing perspectives? How do communities, artists, academics and institutions respond and navigate the complexities surrounding these issues? How can the broader cultural community and public gain better understanding?

FACILITATOR: Dr Stephanie Gilbert – Senior Lecturer, Indigenous Education & Research, University of Newcastle

PANELISTS: Matthew Poll – Curator Indigenous Heritage and Repatriation Project, University of Sydney; Dr Una Rey – Curator & Lecturer, School of Creative Industries, University of Newcastle; Uncle Tex Scuthorpe – Artist & cultural knowledge holder

3.45pm - Panel 3 - How are cultural revival movements strengthening cultural identity?

A growing wave of cultural revival is sweeping across the country with a renewed interest in and commitment to discovering, learning and transmitting cultural knowledge being experienced across all areas of cultural expression. From the use of traditional materials and techniques in art and craft practices, to language, dance and music being studied, recorded and presented in cultural and education institutes, public forums and on stage and screen, communities, artists and academics are embracing this resurgence. How are these cultural revival movements strengthening cultural identity what other outcomes are being felt by the individuals and communities involved?

FACILITATOR: Alisa Duff - Curator, Project Officer - The Wollotuka Institute, University of Newcastle

PANELISTS: Vicki Couzens – Artist & cultural knowledge holder; Cherie Johnson – Artist & Director of Speaking in Colour; Daryn McKenny – General Manager, Miromaa Aboriginal Language & Technology Centre; Tammy Small – Dancer, teacher & Director Milabah Dancers

4.45pm - Yarning Circle – Wrap Up

5.15pm - Symposium concludes

5.30pm – 7.30pm - Stay on for the official opening of the Transmission exhibition including a new performance work by Nicole Monks.

Share with friends

Date and Time

Location

THe Lock-Up

90 Hunter Street

Newcastle, NSW 2300

Australia

View Map

Save This Event

Event Saved