Morbis Artis: Diseases of the Arts at RMIT Gallery (17 November - 18 February 2016) is an interactive bio-art exhibition that uses actual and metaphoric communicative diseases to explore the fractured relationship between human and non-human life.
In Harry Nankin’s work (pictured above) nine, multi-panel palimpsests displayed on light boxes, lake becomes semi-arid land as the impact of the contemporary ecological crisis finds its root and branch in starlight and shadowgram as live invertebrates mourn the age of the anthropocene. The work ‘photo-poetically’ memorializes this erasure, resurrecting the dry lakebed into a focal plane upon which primal starlight is used to imprint photographic films on moonless nights. The environmental disease at the heart of this work is human-made: as we lay waste to our planet, the stars are slowly going out.
About Harry Nankin: Harry Nankin is an Australian photo media artist and educator. In 1993 Nankin put aside the camera altogether and he has been creating ‘photograms’ (and occasionally ‘chemograms’) in the studio and on location in forest, desert, atop mountains and under the sea.
In Chris Henschke’s work we explore anti-matter as we bare witness to how radiation is released by organic matter. Using an actual particle accelerator, the work shows how the humble banana emits antimatter on a regular basis. In an age where we fear the way antimatter impacts upon the nature of everyday life and the workings of the cosmos, we see how the organic itself brings potential dissolution to the human world.
About Chris Henschke
Chris Henschke is an artist and researcher who works with digital and analogue media and high-energy physics. He has exhibited around Australia and internationally, and has undertaken art residencies at the Australian Synchrotron, supported by an Arts Victoria Arts Innovation grant (2008), and the Australia Council for the Arts Synapse program (2010). He has developed and lectured courses in time based and interactive media at RMIT University, Monash University, and the ‘Art vs Science’ seminar series at the University of Melbourne Victorian College of the Arts. Currently, he is undertaking a Doctorate of Philosophy at Monash University, which includes on-site work at the European Organisation for Nuclear Research (CERN), Switzerland, as part of the ‘art@CMS’ collaboration.