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Amazon Prime Video | Blue Post | EIZO | fxphd | Mojo Media Solutions | The Rebel Fleet

Don’t wait until you get your first HDR project before you start investigating HDR techniques and workflows.

HDR for the cinematographer and colourist has a steep learning curve. Give yourself a head start by getting as much information, tips and tricks before landing your first project.

SCHEDULE – Day 1 (Saturday)

09:30 - Doors Open

10:00 - Demystifying HDR Monitor Technology (Stuart Pointon, EIZO APAC)

11:30 - Connecting Workflows (Pete Harrow, The Rebel Fleet)

13:00 - Lunch

13:30 - HDR for the Cinematographer and Colourist: What is the Difference? (Ben Allan ACS CSI, Warren Eagles CSI, Marcus Smith, Adam Eden CSI)

15:00 - Creating the Film Effect: How Far Should We Go? (Warren Eagles CSI)

HDR for YouTube (Peter Lightowler)

16:30 - What Are the Cool HDR Shows? (Panel discussion)

SCHEDULE – Day 2 (Sunday)

09:30 - Doors Open

10:00 - From T-Stops to Nits: The Art of Measuring Brightness (Ben Allan ACS CSI)

11:30 - Colour-Precise Remote 4K Streaming with Colorfront Tools (Stuart Monksfield, Mojo Media Solutions)

13:00 - Lunch

13:30 - Creating a Show LUT for Studio Productions (Marcus Smith, Blue Post)

15:00 - Dolby Vision®: "Why I work in UHD Dolby Vision for all my projects" (Adam Eden CSI, Eden Creative)

16:30 - Delivering for Prime Video: What Do You Need to Know? (Andrew Smith, Amazon Prime Video)