The market for live music is bigger than ever. Accordingly, event producers and venues are going bigger: more stages; more shows; more headliners; longer festivals. The thinking being that bigger means more revenue, which (hopefully) means more profit.

But is bigger always better? The answer is more complicated than you might imagine.

Live music’s success has been met by a precipitous decline in recorded music media sales. Fans just aren’t buying music anymore, instead opting for the convenience of online streaming platforms.

In this light, the explosive growth of live music is a no-brainer: gigs, festivals, parties, and events offer the intimate connection with artists and fellow audiences that fans crave. Intimacy, in fact, is the music industry’s “secret sauce,” the primary differentiator separating music from nearly all other artforms and entertainment.

When we hear a cherished artist singing a favourite song, we hear them singing it directly to us. That connection, that intimacy, is vital. Event producers and organisers who neglect the potency of these intimate connections run the risk of alienating audiences, especially younger audiences, for whom the communities built around music can be as important as the music itself: 89% of Australian millennials attend music festivals to engage with a like-minded community and 84% report that attending live events makes them feel more connected to other people.

Building community is essential — and easier said than done

Building community is good business: The more concertgoers see familiar faces at your venue or club, the more likely they are to come back. Putting on good gigs used to get you most of the way there, but in 2020 and beyond, that doesn’t quite cut it anymore.

Less cohesive, irregular crowds makes it difficult for fans to meet each other, and may de-incentivise that cherished sense of loyalty from your most committed fans.

To counteract this trend, don’t be afraid to think small, even if it means losing out on revenue. The goodwill (and word-of-mouth marketing!) you’ll generate within your most committed fanbase will make up the difference.

Try acoustic sets or toned-down performances that bring people closer to the action, and put some effort into making your venue intimate.

Foster exclusivity (but not too much exclusivity)

Thinking smaller generally entails excluding a portion of your fanbase. It sounds scary, but don’t be afraid: A little bit of exclusivity goes a long way.

Get creative:

  • Try booking a well-known artist at a venue or stage much smaller than they usually play.
  • Produce limited edition merch for a special show or tour.
  • Give committed, repeat fans deals, discounts, or advance notice on tickets by going deep on segmenting your mailing list.
  • Use an unusual, unexpected venue and don’t announce the lineup until day-of.
  • Offer a limited amount of free or VIP tickets through non-traditional avenues (Scavenger hunt!).

The Pandora’s box of streaming has thrown the music industry for a loop. But listeners, fans, and showgoers still want the same thing: connection with their favourite artists and with each other. Make sure to keep that in mind — and don’t be afraid to go smaller to make it happen.

Want more tips on how to build a genuine connection with your fans? Read The Changing Face of the Music Business: How To Market Like a Pro to build a real connection with your attendees through great marketing initiatives.